In a variation of Joan Miró Femmes et oiseau dans la nuit 5 mai 1947 (variation as would be the spirit of musical variations series), Arnaud proposes his vision to vividly interpret Langston Hughes’ ‘I, Too’ poem.
The painting features a rising figure in vibrant reds and oranges, symbolizing hope and progress. Delicate black lines represent the strength of the human spirit, while subtle blues and beiges hint at boundless potential.
The composition subtly addresses themes of inclusivity and identity. Quercy’s work is a synthesis of color, form, and emotion, echoing the timeless message of hope and resilience found in Hughes’ verses, inviting viewers to explore the multifaceted nuances of hope. »
